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It is then concluded with a short discussion about possible future directions for this work. This article begins by outlining the goals that I wanted to achieve and the purpose for creating FoxDot, and its Interactive Development Editor (IDE), before discussing the implementation of key features and their syntax.
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#Python supercollider software#
With FoxDot I wanted to create an application that bridged the gap between software engineering and Live Coding so that users who were entry level to programming, composition, or both would still be able to grasp the concepts and make music, while being able to apply the theory to both fields. OOP is used to represent complex and real-world systems (Kindler and Krivy 2011) and I argue that music making can be as complex as any system found in the real world. For example, Tidal is embedded in the language Haskell, which utilises a functional programming paradigm, and the Ruby-based Live Coding language, SonicPi (Aaron and Blackwell 2013), uses a form of procedural programming. Furthermore, Live Coding languages tend to be domain-specific (or at least domain-specific implementations of more general-purpose languages) (Guzdial 2014) and structured in a way that didn t fit with the Object-Orientated Programming (OOP) paradigm I had become accustomed to during my undergraduate studies. It didn t take long before I was getting to grips with Tidal (McLean 2014) and SuperCollider, among other languages, but I still couldn t express the musical ideas I wanted to with their capabilities. 2003), and starting scouring the web for anything Live Coding related. Over the course of my master s I was fortunate enough to be taught by Alex McLean, of Live Coding acts Canute (McLean 2015) and Slub (Collins et al. However, my first encounter with SuperCollider (McCartney 2002) made me feel like I couldn t do either of these things. It wasn t long after I had completed my bachelor s in Computer Science and I considered myself a good programmer and, having played music outside of academia for most of my life, a novice in musical composition. Introduction When I first encountered Live Coding, a method of using programming languages to make music, I had just begun a Master of Arts degree in Computer Music at the University of Leeds. Keywords: Live coding, laptop performance, interactive programming. FoxDot is an application that bridges this gap to bring the art of performance programming and the science of software engineering together to create music in a way that is accessible to coders or composers novices and experts alike. The languages used in Live Coding are usually designed specifically for the purpose of creating music and distance themselves from the traditional paradigms of more general-purpose languages such as Java or Python.
#Python supercollider code#
Live Coding is an electronic musical movement that is growing in popularity as an interface for musical expression where laptop performers program in front audiences executing, editing, and re-executing blocks of code to generate music. 1 FoxDot Live Coding with Python and SuperCollider Ryan Kirkbride University of Leeds, Leeds, United Kingdom Abstract.